Hampi has various notable Hindu temples, some
of which are still active places of worship. Among the most notable are:
Virupaksha Temple
Virupaksha Temple: Known as the Pampapathi temple, it is a Shiva temple situated in the Hampi Bazaar. It predates the founding of the VijayanagarEmpire.
The temple has a 160-foot (49 m) high tower at its entrance. Apart from Shiva,
the temple complex also contains shrines of the Hindu goddesses Bhuvaneshwari
and Pampa.
The Virupaksha temple , located at the foot of
the hill called Hemakuta Hill, is the core of the village of Hampi. The temple,
often called Pampapathi temple, is the most sacred of the temples of this
place.
Historically speaking, this temple has an
uninterrupted history from about the 7th century. The temple contains the
shirines of Lord Shiva, Pampa and Bhuvaneshwari. What was once a small shrine,
in course of time, developed into a large complex under the Vijayanagararulers.
At present, the main temple consists of a Sanctum, three ante chambers, a
pillared hall and a MukhaMantapa also called RangaMantapa or an open pillared
hall. A pillared cloister, entrance gateways, courtyards, attendant shrines and
other manttapas surround the temple. In 1510 A.D. Krishnadevaraya added the above-mentioned
RangaMantapa.
The Rangamantapa consists of 38 pillars,
relieved with sculptures. These pillars are divided into two vertical sections
– the first is cut to resemble a rearing Yali – a mythical lion, standing on a
Makara, while the second section is basically square with small relief,
depicting mostly Shaiva themes. These pillars are aesthetically composed and
skilfully constructed.
The central ceiling of the RangaMantapa is of
substantial size. The ceiling as well as the beams supporting the ceilings is
covered with painted panels. The panel depicts themes from the Mahabharatha,
the Ramayana and the Shiva Puranas as well
as from the contemporary life.
Virupaksha Bazaar
Starting at the entrance of the temple is
Virupaksha Bazaar or market, largest of the many bazaars of Vijayanagara. Each
major Temple complex had its own bazaar around which a township developed. This
is the only bazaar around which a township of a sort still exists. This bazaar
is flanked by the main gopura of
Virupaksha temple called Bishtappa'sgopura on the one end and the monolithic
Nandi at the other end. The 9 storied, 53 meters high gopura adds elegance to
the 732 meters long and 28 meters wide Virupaksha Bazaar.
The other temple of significance in this
complex is the shrine for Goddess Bhuvaneshwari. This shrine was rebuilt in the
Vijayanagara days, over an 11th century temple. This temple is chiefly noted
for its marvelously worked door-frame, pillars and articulately chiseled ceiling panels.
In the basement of the temple is a shrine with
a deity of Lord Vishnu holding scale, said to
be for weighing the merits between the holy places of Kashi and Pampa Kshetra,
which wins out.
Balakrishna Temple
Balakrishna Temple
Krishnadevaraya built this temple in 1513 A.D.
to commemorate his victory over PrataparudraGajapati, the ruler of Orissa.
During the battle he seized deity of child Krishna and brought it to
Vijayanagara as war trophy. He then built this temple to consecrate the deity.
An inscription describing the conquest and the consecration of this temple on
16 February 1515 by Krishnadevaraya is found on a slab in front of this temple.
Built in the centre of a courtyard, the temple possesses a sanctum, an
antechamber, an ardhamandapa, a circumambulatory passage, a pillared hall with
three entrances and an open pillared mandapa, in addition to a number of other
shrines for the attendant deities. The sanctum is at present empty. The image
of Balakrishna showing him as a child holding butter in the right hand is now resting in the Government Museum at
Madras.
The inner sides of the entrance exhibit
beautifully sculptured apsaras standing on mysterious animals and holding
scrolls filled with panels showing the ten incarnations of the Lord. Like all
major temple complexes, Krishnapura, a suburb, is developed around this temple.
The bazaar in front is now a lush paddy field.
Shri Vijaya vitthala
Temple
Shri Vijayavitthala Temple
If one wants to witness the competition
between man and Vishwakarma (the Architect God of Hindus), this is the place on
earth. Any number of words would fail to do justice to this wonderful monument
dedicated to Lord Vitthala or Lord Vishnu. Legend has it that Lord Vishnu found
it too grand to live in and thus returned to his
own humble home. The Stone Chariot is situated to the east of the temple hall.
By far, this is the most amazing monument in Hampi and is portrayed as the icon
for Hampi.
History- The construction of this temple
started during the reign of King Krishna Deva Raya in the year 1513 AD. The
project was so colossal that the additions continued for almost five decades
until the Empire fell down in the year 1565 AD and was never completed.
Architecture – +Built mainly on the original
Dravidian Temple architecture, this temple has all the stuff a typical South
Indian temple would have. There is small a main inner sanctum where the deities
are placed. Only the chief priest of the temple is permitted inside this
sanctum. The smaller sanctum is followed by a bigger outer shrine where the general public is allowed. The monumental decoration of the
temple can be seen mainly in this bigger outer house.
The temple stands, within high walls with 3
gateways on the east, south and north. The temple stands on a strong stone
basement with richly carved designs of the King's army and dancing girls. The
dancing halls and kalyanamandapas in the corners are equally worth noticing.
The carvings on this temple give an insight
into the architectural splendor achieved by the artisans of
Vijayanagara Empire. The temple consists of 56 musical pillars. When tapped
gently, these pillars produce musical sounds. These pillars are popularly known
as Musical Pillars or SaReGaMa pillars after the SapthaSwaras of the Indian
Classical Music.The British wanted to check the reason behind this wonder and
so they had cut two pillars to check anything was there inside the pillars that
were producing the sound. They had found nothing but hollow pillars. Even today
we can see those pillars cut by the British.
To the east of the hall is the famous Stone
Chariot with stone wheels that actually revolve. In front of the shrine stands
the great mandapa.
The road leading to the temple was once a
market where the horses were traded. Even today we can see the ruins of the
market on both the sides of the road. The temple contains the images of
foreigners like Persians selling horses.
Hazari Rama Temple
This temple for Lord Rama is popularly called
"Hazari Rama Temple" or "Hazara Rama Temple" because of the large number of Ramayana panels on the walls. This temple
is believed to have been the private place of worship of the Royal family. It
was originally called Hajana Rama, which in Telugu means “the palace temple.”
Originally, the temple consisted of a sanctum,
an ardhamandapa and a pillared hall to which an open porch with tall and elegant
pillars was added subsequently. A high wall encloses the entire complex with the main
entrances set on the east. To the south is a small doorway, which leads to the
Durbar Area. The pillar hall is notable for its unique pillars in black-stone.
They are set on a raised stone platform in the middle of the hall. The tall and
elegant pillars of the open porch are also worth a second look. The other
structures in this temple complex are a shrine for Devi and UtsavaMandapa.
As the name indicates, this temple is famous
for its many Ramayana panels. This is the only temple in Hampi where the
exterior walls have boldly chiseled bas-reliefs. These bas-reliefs are
narrative in nature. The Ramayana epic is carved in detail. Incidents in the
story like Dasaratha performing a sacrifice to beget sons, the birth of Rama,
his exile into the forest, the abduction of Sita and the ultimate fight between
Rama and Ravana are all carved in a vivid manner. In these panels, the story of
Rama and through it the triumph of good over evil is brought out. The genesis
of Hampi dates back to the age Ramayana when it was the monkey kingdom
Kishkindha.
On the wall of the god's sanctum are two rare
depictions of Vishnu as the Buddha. Though the temple is small it is a fine
example of the skill of Vijayanagara's sculptors. Only master craftsmen can
coax filigree and lace out of Deccan stone.
Kadalekalu Ganesha
Temple
On the slope of Hemakuta Hill, near the SasivekaluGanesha
is another monolith called in the same vein, theKadalekalu (gram seed) Ganesha.
The huge seated Ganesha, carved in the round out of a massive boulder, is about
4.5 meters high and is housed in a large shrine with a fine open pillared mandapa
in front. The temple also forms one of the important vintage points from which
a good and picturesque view could be had of the Hampi monuments.
Matanga Hill
Matanga Hill
The visitor who makes an effort to climb this
hill will be rewarded with a breath taking view of the Hampi landscape. One
will then appreciate the forethought of Vijayanagara rulers in choosing Hampi
as their capital. A beautiful view of the Achyuta Raya Temple can be seen from
on top of this hill.
The name to Matanga Hill comes after the Sage
Matanga who used to live on this hill in Treta Yuga, the period of Ramayana. It
is also the place where Sugriva benefited from the magical protection of the
sage Matanga who had placed a curse of death on Vali, if he dared enter the
area of Matanga Hill.
Sasivekalu Ganesha
Temple
Sasivekalu Ganesha Temple
On the slope of Hemakuta Hill beyond the
Krishna Temple, there are two huge stone images of Ganesha. First one is the
SasivekaluGanesha about 2.4 metres tall and ironically named as Sasivekalu or
mustard seed. The potbelly of the god is in the shape of mustard seed and hence
the name (Sasivekalu means of mustard seed in the local language). The god is
seated in a large open mandapa with plain rough square pillars. The right hands
hold the ankusa and broken tusk, while the upper left holds a looped pasa or
noose. The lower left hand and the trunk are broken. The belly is tied with a
snake. This Ganesha is fashioned out of a single boulder in sitting position.
PrasannaVirupaksha
Temple
More popularly known as Underground Virupaksha
Temple, this is situated to the west of the Danaik's Enclosure. A large broken
loose slab containing an inscription which records a grant to the temple of
PrasannaVirupaksha by King Krishnadeva Raya on the occasion of his coronation.
Malyavanta
Raghunathaswamy
Malyavanta Raghunathaswamy
On the road toward the Kampli, stands the
temple of MalyavantaRaghunathaswamy. It is here where Lord Rama and Lakshmana
stayed for the rainy season after Sugriva had been installed on the throne. It
was also here where Rama and Lakshmana stayed while Hanuman went to search for
Sita.The main one of which has a sanctuary with images in black stone Rama and
Lakshmana who are in sitting positions, with a standing Sita, and Hanuman
kneeling near Them carved from a boulder. The scene is said to depict how Rama
and Lakshmana were dismayed and discussing the means to save kidnapped Sita.
Down the hill from here heading west is
Madhuvan, which has a little temple of Hanuman. It was here where the monkeys
stopped to enjoy the gardens of fruit after Sita had been found.
Ugra Narasimha
Ugra Narasimha
Nearby is the 6.7m tall monolith of Ugra
Narasimha. An inscription nearby states that it was hewn from a single boulder
in 1528 during the reign of Krishnadeva Raya.Lakshmi Narasimha : This giant
monolithic statue of the man-lion god is the largest icon in Hampi. Narasimha
which is one of the ten avatars (incarnation) of lord Vishnu is depicted in a
cross-legged seated position. It’s believed that the original image contained
his consort Lakshmi sitting on his lap. This image was destroyed during the
enemy invasion. Currently only a hand of the goddess resting on his waist can
be seen.
Nearby is a shrine with huge three meter high
Shiva linga called Badavilinga. It is permanently surrounded by water that
comes through an ancient channel.
King's Balance
King’s Balance
Hampi is also full of surprises: like the
King's Balance where kings were weighed against grain, gold or money which was
then distributed to the poor, the Queen's Bath, a swimming pool, 50 ft.long and
6 ft.deep, with its arched corridors, projecting balconies and lotus-shaped
fountains that once sprouted perfumed water, the two-storeyed
Lotus Mahal:
Lotus Mahal
Shaped like a lotus flower from top, this
two-story structure has beautiful arc ways set in geometric regularity. It was
an air-cooled summer palace of the queen.
Elephant Stables: This huge stable, a
beautiful example of Hindu-Muslim style of architecture, housed about 11
elephants in separate compartments.
Elephant Stables
Achyuta Raya Temple
Achyuta Raya Temple
This temple can be reached either from Kodanda
Rama Temple through the Bazaar wrongly called "Soolai Bazaar" or
"Courtesan Street" or from the Virupaksha Bazaar by climbing the
steps next to the monolithic Nandi at the end of the bazaar. Achyutaraya Temple
is a large complex built by an officer of the King Achyutaraya,
SalakarajuTirumaladeva. This temple is better known as Achyutaraya temple, in
whose period it was built rather than the name of the deity
"Tiruvengalanatha" or Lord Venkateshwara.
Hemakuta Hill
Hemakuta Hill
Hemakuta Hill, south of the Virupaksha temple,
contains early ruins, Jain temples and a monolithic sculpture of Lord
Narasimha, a form of Lord Vishnu. Hemakuta Hill offers excellent view of Hampi
Bazaar.
Lord Shiva did penance on the Hemakuta Hill
before he married Parvati. This was also the place where Lord Shiva burnt Kama,
the God of lust. This sacred hill lies to the proper right of the Virupaksha
Temple.
Kodanda Rama Temple
Kodanda Rama Temple
The Kodanda Rama Temple is situated towards
the east of Hampi at the end of the Virupaksha Bazaar. A small pathway from
Virupaksha Bazaar at the east end leads along the river bank to Kodanda Rama
temple. This temple faces Chakrathirtha, the most sacred bathing ghat in the
river.
The spot marks the place where Lord Rama
crowned Sugriva as the King of Kishkhinda. The rectangular
"GarbhaGriha" of the temple contains about 15 feet tall standing
figures of Lord Rama, Sita and Lakshmana. These deities are carved out of a
natural boulder.
Just behind the temples of Kodanda Rama are
the temples for Sudarshana in the shape of a human figure with sixteen hands
and YantrodharakaAnjaneya or Hanuman.
Pattabhirama Temple
Pattabhirama Temple
The temple is about 0.8 kilometres to the east
of Kamalapura. Though it contains two inscriptions of King Achyuta Raya, its
date is not clearly determinable.
The east-facing sanctum is a tri-talavimana
with an antarala, ardha-mandapa and maha-mandapa. The large and square
maha-mandapa is a finely proportioned seven aisled structure with tall and
slender composite pillars of various types.
Pampa Sarovar is a lake in Koppal
district near Hampi in Karnataka. To the south of the Tungabhadra River, it is
considered sacred by Hindus and is one of the five sacred sarovars, or lakes in
India. Pampa Sarovar is regarded as the place where Pampa, a form of Shiva's
consort Parvati, performed penance to show her devotion to Shiva. The Pampa
Ambika temple next to the kund is small.
Pampa Sarovar
It is also one of the Sarovar that finds a
mention in the Hindu epic, Ramayana, Pampa Sarovar is mentioned as the place
where Shabari (also Shabri), a disciple of the Rishi Matanga, directed Rama as
he journeyed southwards on his quest to redeem Sita, his wife, from the demon
king Ravana. According to the story, Shabari, a pious devotee of Rama, prayed
faithfully everyday to see Rama. She lived in the ashram of her guru, Matanga
in the place know known as MatangaParvat, in Hampi. Before her guru Matanga Rishi
died he told her she would certainly see Rama. After his death, Shabari
continued to live in the ashram awaiting Rama. Many years passed by and Shabari
became an old woman, before Rama stopped at the ashram on his journey to Lanka.
She proceeded to feed Rama and his brother Lakshmana. Touched by her piety Rama
and Lakshmana bowed down at her feet. Then, they narrated to her the incident
of Sita's kidnapping and Shabari suggested that they seek help from Hanuman and
Sugriva of the monkey kingdom who lived further south near the Pampa Lake.
Five hundred years ago Lord Caitanyacame here
too.:(a)ChaitanyaCharitamrita Madhya lila9.311 : “dhanus-tirthadekhi’
karilanirvindhyatesnanersyamuka-giriailadandakaranye” – LordCaitanya next
arrived at Dhanus-tirtha, where He took His bath in the river Nirvindhya. He
then arrived at Rsyamuka Mountain and then went to Dandakaranya.PURPORT:
According to some opinions, Rsyamuka is a chain of mountains beginning at the
village of Hampi-grama in the district of Belari. The mountain chain begins
along the bank of the river Tungabhadra, which gradually reaches the state of
Hyderabad; (b) ChaitanyaCharitamrita 9.316“prabhuasi’
kailapampa-sarovaresnanapancavatiasi, tahankarilavisrama”- Eventually
SriCaitanyaMahaprabhu arrived at a lake known as Pampa, where He took His bath.
He then went to a place called Pancavati, where He
rested.PURPORT- According to some, the old name of the Tungabhadra River
was Pamba. According to others, Vijaya-nagara, the capital of the state, was
known as Pampatirtha. According to still others, the lake near Anagundi, in the
direction of Hyderabad, is Pampa-sarovara. The river Tungabhadra also flows
through there. There are many different opinions about the lake called
Pampa-sarovara.
Lord Nityananda's
Traveling To the Holy Places: "Lord Nityananda next took bath in the Gomati, Gandaki, and
Sona Rivers. He also climbed the top of Mahendra Mountain. There He offered
obeisances to Lord Parasurama. He also visited Haridvara, the source of the
Ganges. The Lord took bath in Pampa, Bhimarathi, Venva, and Vipasa
Rivers." and in VrindavanaDasa Thakur's Sri ChaitanyaBhagavat, Adi Lila
Chapter 9: "Thereafter Sri Nityananda went to Gomati and bathed in
the waters of Gandaki and Sona. He climbed the Mahendra Hill where He offered
obeisances to Lord Parasurama. From there He travelled to Haridvara, the source
of Mother Ganga. He visited Pampa, Bhima, Godavari, Benva and in the Bipasa (or
Vyasa) river He remained submerged in the water for a while."
Pampa sarovar is also famous for the
pushtimargvaishnavas, where in SrimadVallabhacahrya had performed Srimad
Bhagavad in the 16th century.
Anjaneya Hill
Anjaneya Hill
The hill top Hanuman temple,this hill believed
to be the birthplace of Hanuman is located in the center of
Anegundiarea(Original Kishkinda). You can see this hill from the Hampi side of
the river as you trek along the KampaBhups’s (the riverside trek) Path.
At the top of the hill is the temple dedicated
for Hanuman. He was born to Anjana. Thus Hanuman is also known as Anjaneya and
his birthplace as Anjaneyadri (Anjaneya’s hill). On the way up there is
one place called kesaritirtha, the cave where Hanuman’s father Kesari, had
lived.
The deity of Hanuman is carved on the rock.
Also is the small shrine for Rama and his consort Sita inside the temple.
In Anegudi is the old Raghunatha temple where
worship still continues. In sanctum there is small Vishnu deity about three
feet long reclining on Seshanaga. In the back of the temple on the right side
is a separate shrine to Lakshmi. Not far from the temple is the Samadhi tomb of
Madhvacarya’s disciple Narahari Tirtha.
Hampi Yantroddhara
Anjaneya Temple
Situated right behind the Kodanda Rama
Temple near the Chakrathirtha, YantroddharaAnjaneya Temple, also known as
YantroddharakaAnjaneya Temple is one of the most sacred places in Hampi. The
temple is dedicated to Lord Hanuman. The temple has a very interesting story
behind its origin.
Sri Vyasathirtha, a great scholar saint during
the reign of King Krishna Deva Raya used to go to very calm spots on the banks
of river Tungabhadra and meditate uninterrupted. One day, while he was
meditating in a hillock near Chakratirtha, an image of Lord Hanuman kept coming
to his mind. This happened only at that particular spot and nowhere else, even
in nearby hillocks.
Sri Madhvacharya (believed to be an
incarnation of Lord Hanuman) appeared in the dreams of Sri Vyasathirtha and
instructed him to install a deity of Lord Anjaneya (Hanuman) next time. The
next time Sri Vyasathirtha saw the image in the middle of his meditation,
without any delay, he drew the image from his mind on to a rock using an Angara
(coal used by Brahmins during Pooja performance). To his surprise, a monkey
came to life from the rock and jumped out of the rock and his drawing would
disappear. He repeated the process of drawing and every time, a monkey would
jump out of the rock and the drawing would disappear. This happened 12 times.
Full of surprise, Sri Vyasathirtha finally
decided to bind the image of Lord Hanuman in a Yantra. A small temple was built
there and hence the temple has the name Yantroddhara Anjaneya. In the core of
the Yantra is the statue of Lord Hanuman in Padmasana position. This is
probably the only temple of Lord Hanuman in a sitting position which is
generally in a flying or blessing position. The Yantra here is a form of
binding which looks like a 6 cornered star. The star is encircled in a circle
with flames going outwards giving it the drawing look of a sun. A closed,
benzene like ring of 12 monkeys holding each others’ tails can also be found
around the star and the sun which forms the outermost structure of the Yantra.
Its place where,Hanuman first saw Lord Rama
and Lakshmana.
Sugriva’s Cave
Sugriva’s Cave
Located almost on the river shore, this is a
naturally formed cave by huge boulders one leaning over the other.
It’s believed that this is the place where
Sugreeva lived. He used the cave to hide the jewels dropped by Sita, when the
demon king Ravana abducted her. Later Sugreeva met Rama &Laxmana nearby the
riverside searching for Sita. The colored pattern at the rock in locale
parlance called SitaKonda. It depicts the pattern on the costume of Sita.Near
the Cave at the riverside Sugriva met Lord Rama and Lakshmana when they came
here in search of goddess Sita.
A number of carved footprints can be seen on
the floor of this flat surface. This depicts the footprints of Rama
&Lakshmana. Notice them carefully.
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